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There’s a lot to be said for the non-generic mix, but a lot can be condensed down into one tried and tested truism, variety is the spice of life. It works for food, and so “If music be the food of love, play on,” to quote the great scribe. As I keep saying, generic stuff bores the knickers off me: house all night — unless it’s played by the likes of Tony Humphries —is tiring, minimal techno mind numbing and so on. And a surplus of generic retro leaves me similarly fatigued, be it boogie, disco or Italo.
Dance music is a continuum, and Djs like Humphries, Levan and Hardy knew that in the mid ‘70s. Now we have three more decades of it to cherish, program and rock. On The Rapture’s Tapes mix this passion for dance music down the ages is displayed in spades, with tracks from the ‘70s sharing space with tunes that dropped a month ago. Plus dance is viewed in a broad sense, in that genres like hip-hop and Go Go make an appearance too, showing that the essence of this mix is completely in tune with the spirit of eclecticism that gave rise to music forms like house, techno and hip-hop.
The current uber-penchant for pigeon holing yet still referring to the music as underground has to be taken with a pinch of salt. Pigeon holing, in reality, is deference to corporate label niche marketing and that is at once irritating and treacherous to the underground. Wanna keep the underground alive? Mix it up. Scoop this CD a listen to how it’s done properly. That a rock band should be showing the dj community the correct use of dance music is definitely food for thought… and deed, indeed. It’s a kick ass mix and will hopefully inspire a new wave of djs to drop the top 40 mash up shit, and mash up the club classics of the past and the present. So come and join the future!
Orr
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